Il vangelo secondo matteo pasolini

Il Vangelo Secondo Matteo by Pasolini Pier Paolo

il vangelo secondo matteo pasolini

The Gospel According to Matthew is a Italian biographical drama film directed by Pier .. "Pasolini, Il Cristo dell'Eresia (Il Vangelo secondo Matteo). Sacro e.

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Director: Pier Paolo Pasolini Italy.
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Il Vangelo Secondo Matteo (Pier Paolo Pasolini, 1964)

It is a cinematic rendition of the story of Jesus Christ according to the Gospel of Saint Matthew , from the Nativity through the Resurrection. The dialogue is taken directly from the Gospel of Matthew , as Pasolini felt that "images could never reach the poetic heights of the text.

The Gospel According to St. Matthew (Il vangelo secondo Matteo)

Pasolini remains one of the most controversial figures in post-war Italian culture, and an artist of fascinating contradictions. He was a Marxist atheist who was thrown out of the Communist party and attacked more than once by the Catholic Church. Yet he is also responsible for The Gospel According to St. Matthew , which even the Vatican has named the greatest of all films about Christ. Shooting on location in Southern Italy, using nonprofessional actors and eschewing special effects, Pasolini strips the story down to its essentials, avoids the false piety of Hollywood biblical epics, and presents Christ as an angry, revolutionary figure. But this is also a film about 2, years of artistic representations of Christ, and it is saturated in references to religious paintings, from Giotto to Georges Rouault, and features a stunning score of spiritual music, from Bach to African-American spirituals.

Sign in. See the list. Title: The Gospel According to St. Matthew In pre-war Italy, a young couple have a baby boy.

Il Vangelo Secondo Matteo (The Gospel According to St. Matthew)

Production: Arco Film Italy and C. Lux Paris ; black and white, 35mm; running time: minutes; English version is minutes and French version is minutes. Released , Italy. Filmed in Calabria, Lucania, and Puglia southern Italy. Note: the word "Saint" was used in English version against Pasolini's wishes.

A new one every day. Rewatched and re-loved. This film is more than a masterpiece. Pier Paolo Pasolini, I'm speechless again. A haunting grace envelops Pasolini's adaptation of the story of Jesus. Whether a historical or spiritual figure, Jesus remains a universal icon who evokes a multitude of interpretations. Not since Dreyer's 'Joan of Arc' has a cinematic retelling arrested the senses so unequivocally.

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